Mike Abrahams has worked as a freelance photographer for over 30 years having become renowned for his sensitive eye in documenting the lives of ordinary people. In 1981, he was a cofounder of Network Photographers which is an internationally and his work has taken him around various parts of the globe. His photographs have been published in all the major international news media and his ability to work in difficult situations made him a highly sought after photographer. His work on Faith – A Journey with Those Who Believe, published in 2000, was a 5 year project, documenting the extremes/passion of Christian devotion in 14 countries. Awards for this work included the World Press Photo Award in 2000, and the book Faith designed by Browns, was a finalist in the Design Week – Editorial Design: Books.
Colin Jacobson, picture editor of The Independent Magazine, described his body of work from the conflict in Northern Ireland and published in the book Still War, in 1989 as “Documentary photography at its best – …comprehensive,… and concerned”. His coverage of the troubles in Northern Ireland was the subjects of a Television documentary “Moving Stills”. Other important assignments have included coverage the Berlin Wall, the Cult of Assad in Syria, The Jews of Damascus and Bradford’s Muslims.
He has completed both photojournalistic and corporate assignments. Some of his Corporate Social Responsibility (CSR) projects have taken him to parts of Africa and Asia. Whilst these works have been commissioned, he retains a sensitivity whilst documenting various experiences. One of the most poignant for me was a portrait of someone living with HIV in India and fighting the stigma.
Abrahams is quite an important practitioner for me because of his extremely unique and far-reaching approach. He moves fluidly between corporate and personal assignments whilst retaining the ability to tell ‘the story’ effectively.
“I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance. ”
Alec Soth b.1969 is a Magnum Photographer whose distinct style is documenting performance photography. When I first saw his images I felt like I was ‘waiting for the next scene’ almost like watching a movie. When I did some research into his photographic style the reason became clearer.
He photographs large geographical territories (Mid-West USA) with various subgenres – nature, people etc but has a way of making the process seem like an adventure and the photograph becomes the document. His photograph reminds me of childhood movies like Huckleberry Finn and bear a feel reminiscent of that story. He currently has a brilliant exhibition at the New Media Space, Science Museum – Gathered Leaves (review soon to follow) and was featured in the British Journal of Photography October 2015.
Below are some of his images I found interesting as well as a personal reflection.
COLOMBIA. Bogota. 2003.
USA. Minneapolis, Minnesota. 2000. Kym, Polish Palace.
USA. Baton Rouge, Louisiana. 2002. Patrick, Palm Sunday.
USA. Vasa, Minnesota. 2002. Charles
I will be considering his technique of capturing a still and making it appear ‘as a scene/living picture’ in my personal practice. Sometimes a photographer is unable to translate a sense of movement without obvious tools such as shutter speed simply because one frame does not always tell the whole story. Instead of using this point of view I will consider how my ‘one shot’/series can tell the most exciting part of the story.
Another iconic thing that Soth has done is find the most ironic juxtapositions/locations for the relevant portraits [see above the Palm Sunday photography]. Whilst street photography should not be directed as such – locations and subjects will be carefully considered in my framing.