Draft Proposal

(further development of my post on this same topic a couple months back), it includes points of improvement from my tutors.

Idea and subject area

I am working in the area of documentary photography and my idea is to photograph gentrification in London. I will be doing this by capturing buildings in areas it is affecting (so far, places like Southwark and Camden have been covered). This ranges from demolished buildings, buildings currently in question for demolition and new structures or construction sites. In addition, portraits of people who will be or are affected. There is a wider age range between people whose portraits have been taken than there was initially.

My research methodology

This long term personal project is linked to my dissertation (public architecture and its effects on inequality) and I aim to utilise a variety of sociological research methods. Most of these research based findings are based on secondary sources (books, journals, short films, other photographic and sociological studies and even national statistics). These have been compiled by other individuals with their own agenda. I have tried to reach out to individuals affected by gentrification directly – i.e. residents/ex-residents and people who sit on housing associations or who are on social policy think tanks. Given the raw emotion felt by many of these individuals, gaining the primary research I would like, has proven to be a lengthy and difficult process.

How I plan to realise my project

I was getting a little stuck portraying my ideas visually and had to return to basics. I brainstormed (see previous post) what I could physically photograph and went through my archives of photographs taken in the past 2 years. This gave me an idea of what I had and what was missing from my story. I then reached out to various associations that were remaining in Southwark after the forced exodus in 2013. There is no longer contact between ex residents due to a ‘wanting to put the experience behind them’ which is totally understandable, which meant finding people would have to be approached differently. I have since had arranged/am arranging portrait sessions with other people that have been willing to get involved.

Timescales and production plans

The time frame for the photographs to be completed has now been shifted from December 2016 to March 2017. This is because finding participants, in any documentary project, is the longest and hardest part. The photographs will be printed/edited in April 2017 to prepare for the exhibition in May. The other publications that will follow in conjunction with this project are going to be realised around that time as well. The printing will be self managed as far as possible, instead of being taken to an external lab.

Intended audience

Broadsheet newspapers covering these stories – in particular The Guardian. The TIME/Financial Times magazines and papers may cover this story in the next two years, depending on what is the most pressing issue and which stories are being circulated in the media at the time. The residents and project participants are welcome to all exhibitions and will be informed of where the photographs are published next (i.e. book and magazine). Lastly, some of the images will be used in an attempt to get the ‘powers that be’ to reconsider some of their development policies in light of the people they are negatively affecting.


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